Musicians don't like to specify a pitch as a frequency in hertz. We'd rather specify it as a cents offset from one of the twelve notes of 12edo calibrated to A-440. That's the language our 12edo tuners speak, and that's the language we think in.
On the "reference frequency" screen, you could keep the part that selects a note from the microtonal tuning, but remove the octave numbers (another benefit, less to scroll through). Have the notes run from A up to just short of the A an octave higher, G# or vA or whatever. Replace the frequency input with inputs for standard note and cents offset. The standard note is a 12edo note, displayed as A A# B C C# D D# E F F# G G# but stored as a number 0 to 11. Cents offset ranges from -50 to 50. Then frequency = 440 * (2 ^ (standardNote/12 + centsOffset/1200)).
Musicians don't like to specify a pitch as a frequency in hertz. We'd rather specify it as a cents offset from one of the twelve notes of 12edo calibrated to A-440. That's the language our 12edo tuners speak, and that's the language we think in.
On the "reference frequency" screen, you could keep the part that selects a note from the microtonal tuning, but remove the octave numbers (another benefit, less to scroll through). Have the notes run from A up to just short of the A an octave higher, G# or vA or whatever. Replace the frequency input with inputs for standard note and cents offset. The standard note is a 12edo note, displayed as A A# B C C# D D# E F F# G G# but stored as a number 0 to 11. Cents offset ranges from -50 to 50. Then frequency = 440 * (2 ^ (standardNote/12 + centsOffset/1200)).