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<!DOCTYPE html>
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<meta name="description" content="Dave Clarke's reading list - books read by year">
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<section class="year-section" data-year="2026">
<button class="year-header" aria-expanded="true">
<h2>2026 <span class="year-count"></span></h2>
<span class="year-chevron" aria-hidden="true">▼</span>
</button>
<div class="year-content">
<ol reversed class="book-list">
<li><strong>Secondhand Time: The Last of the Soviets</strong> <i>by</i> <strong>Svetlana Alexievich</strong> </li>
<li><strong>Flesh</strong> <i>by</i> <strong>David Szalay</strong> </li>
<li><strong>The Executioner's Song</strong> <i>by</i> <strong>Norman Mailer</strong> </li>
<li><strong>Clown Town</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Audition</strong> <i>by</i> <strong>Katie Kitamura</strong> </li>
<li><strong>I Have Never Known Men</strong> <i>by</i> <strong>Jaqcueline Harpman</strong> </li>
<li><strong>Standing by the Wall</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Bad Actors</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Slough House</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>The Last Dead Letter</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>The Catch</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Leap Year</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>Joe Country</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Pereira Maintains</strong> <i>by</i> <strong>Antonio Tabucchi</strong> </li>
<li><strong>On the Calculation of Volume IV</strong> <i>by</i> <strong>Solvej Balle</strong> </li>
<li><strong>The Marylebone Drop</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Whores for Gloria</strong> <i>by</i> <strong>William T. Vollman</strong> </li>
<li><strong>London Rules</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Fever Dream</strong> <i>by</i> <strong>Samanta Schweblin</strong> </li>
<li><strong>Killing Commendatore</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>Conversations with Steve Erickson</strong> <i>edited by</i> <strong>Matthew Luter and Mike Miley</strong> </li>
<li><strong>Spook Street</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Winter Journeys</strong> <i>by</i> <strong>Georges Perec and The OULIPO</strong> </li>
<li><strong>The Untouchable</strong> <i>by</i> <strong>John Banville</strong> </li>
<li><strong>The Old Devils</strong> <i>by</i> <strong>Kingsley Amis</strong> </li>
<li><strong>Liberation Day</strong> <i>by</i> <strong>George Saunders</strong> </li>
<li><strong>Real Tigers</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>House of Holes</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>Slowness</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>The Inheritance of Loss</strong> <i>by</i> <strong>Kiran Desai</strong> </li>
<li><strong>Verbivoracious Festschrift Volume Six</strong> <i>by</i> <strong>Various</strong> </li>
<li><strong>Singular Pleasures</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>The Company</strong> <i>by</i> <strong>Robert Littell</strong> </li>
<li><strong>The Everlasting Story of Nory</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>Plowing in the Dark</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>The Penguin Book of Oulipo</strong> <i>edited by</i> <strong>Philip Terry</strong> </li>
<li><strong>Innocents and Others</strong> <i>by</i> <strong>Dana Spiotta</strong> </li>
<li><strong>A Box of Matches</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>Tiny Eyes</strong> <i>by</i> <strong>Samanta Schweblin</strong> </li>
<li><strong>Checkpoint</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>Ravel</strong> <i>by</i> <strong>Jean Echenoz</strong> </li>
<li><strong>Georges Perec’s Geographies</strong> <i>edited by</i> <strong>Charles Forsdick, Andrew Leak, Richard Phillips</strong> </li>
<li><strong>House of Leaves</strong> <i>by</i> <strong>Mark Z. Danielewski</strong> </li>
<li><strong>Mater 2-10</strong> <i>by</i> <strong>Hwang Sok-yong</strong> </li>
<li><strong>The Invented Part</strong> <i>by</i> <strong>Rodrigo Fresán</strong> </li>
<li><strong>Mr Palomar</strong> <i>by</i> <strong>Italo Calvino</strong> </li>
<li><strong>The Bickford Fuse</strong> <i>by</i> <strong>Andrey Kurkov</strong> </li>
<li><strong>Marcovaldo</strong> <i>by</i> <strong>Italo Calvino</strong> </li>
<li><strong>Species of Spaces and Other Pieces</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>The Devil's Grip</strong> <i>by</i> <strong>Lina Wolff</strong> </li>
<li><strong>Restless</strong> <i>by</i> <strong>William Boyd</strong> </li>
<li><strong>Gain</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>Carnality</strong> <i>by</i> <strong>Lina Wolff</strong> </li>
<li><strong>A Foreign Country</strong> <i>by</i> <strong>Charles Cumming</strong> </li>
<li><strong>Will There Ever Be Another You</strong> <i>by</i> <strong>Patricia Lockwood</strong> </li>
<li><strong>Traveling Sprinkler</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>The Anthologist</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>Silence in October</strong> <i>by</i> <strong>Jens Christian Grøndahl</strong> </li>
<li><strong>Dr. No</strong> <i>by</i> <strong>Percival Everett</strong> </li>
<li><strong>Who is Vera Kelly</strong> <i>by</i> <strong>Rosalie Knecht</strong> </li>
<li><strong>172 Hours on the Moon</strong> <i>by</i> <strong>Johan Harstad</strong> </li>
<li><strong>Sweet Tooth</strong> <i>by</i> <strong>Ian McEwan</strong> </li>
<li><strong>Unsettling Catan: Detached Design in Eurogames</strong> <i>by</i> <strong>J. Rey Lee</strong> </li>
<li><strong>On the Calculation of Volume III</strong> <i>by</i> <strong>Solvej Balle</strong> </li>
<li><strong>The List</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Galatea 2.2</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>Staying On</strong> <i>by</i> <strong>Paul Scott</strong> </li>
<li><strong>The Anarchist who Shared my Name</strong> <i>by</i> <strong>Pablo Martín Sánchez</strong> </li>
<li><strong>The Testaments</strong> <i>by</i> <strong>Margaret Atwood</strong> </li>
<li><strong>Good Men</strong> <i>by</i> <strong>Arnon Grunberg</strong> </li>
<li><strong>The Yield</strong> <i>by</i> <strong>Tara June Winch</strong> </li>
<li><strong>Bleeding Edge</strong> <i>by</i> <strong>Thomas Pynchon</strong> </li>
<li><strong>Yellowface</strong> <i>by</i> <strong>Rebecca F. Kuang</strong> </li>
<li><strong>Operation Wandering Soul</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>A Film (3000 meters)</strong> <i>by</i> <strong>Víctor Català</strong> </li>
<li><strong>Holden's Performance</strong> <i>by</i> <strong>Murray Bail</strong> </li>
</ol>
</div>
</section>
<section class="year-section" data-year="2025">
<button class="year-header" aria-expanded="true">
<h2>2025 <span class="year-count"></span></h2>
<span class="year-chevron" aria-hidden="true">▼</span>
</button>
<div class="year-content">
<ol reversed class="book-list">
<li><strong>The Day of the Jackal</strong> <i>by</i> <strong>Frederick Forsyth</strong> </li>
<li><strong>Prophet Song</strong> <i>by</i> <strong>Paul Lynch</strong> </li>
<li><strong>Bret Easton Ellis and The Other Dogs</strong> <i>by</i> <strong>Lina Wolff</strong> </li>
<li><strong>One a Woman's Madness</strong> <i>by</i> <strong>Astrid Roemer</strong> </li>
<li><strong>Crooked Plow</strong> <i>by</i> <strong>Itmar Vieira Junion</strong> </li>
<li><strong>Dead Lions</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Infinite Riches</strong> <i>by</i> <strong>Ben Okri</strong> </li>
<li><strong>Special Envoy</strong> <i>by</i> <strong>Jean Echenoz</strong> </li>
<li><strong>American Spy</strong> <i>by</i> <strong>Lauren Wilkinson</strong> </li>
<li><strong>Coming. Apart.</strong> <i>by</i> <strong>Edy Poppy</strong> </li>
<li><strong>The Book of Disappearance</strong> <i>by</i> <strong>Ibtisam Azem</strong> </li>
<li><strong>The Passenger</strong> <i>by</i> <strong>Cormac McCarthy</strong> </li>
<li><strong>The Love Parade</strong> <i>by</i> <strong>Sergio Pitol</strong> </li>
<li><strong>Girl, Woman, Other</strong> <i>by</i> <strong>Bernardine Evaristo</strong> </li>
<li><strong>The Buried Giant</strong> <i>by</i> <strong>Kazuo Ishiguro</strong> </li>
<li><strong>Heart Lamp</strong> <i>by</i> <strong>Banu Mushtaq</strong> </li>
<li><strong>Little Hands Clapping</strong> <i>by</i> <strong>Dan Rhodes</strong> </li>
<li><strong>Grand Hotel Europa</strong> <i>by</i> <strong>Ilja Leonard Pfeijffer</strong> </li>
<li><strong>Stella Maris</strong> <i>by</i> <strong>Cormac McCarthy</strong> </li>
<li><strong>A Small Town in Germany</strong> <i>by</i> <strong>John le Carré</strong> </li>
<li><strong>The Books of Jacob</strong> <i>by</i> <strong>Olga Tokarczuk</strong> </li>
<li><strong>Buzz Aldrin, What Happened to You in All the Confusion?</strong> <i>by</i> <strong>Johan Harstad</strong> </li>
<li><strong>The Mars Room</strong> <i>by</i> <strong>Rachel Kushner</strong> </li>
<li><strong>James</strong> <i>by</i> <strong>Percival Everett</strong> </li>
<li><strong>Slow Horses</strong> <i>by</i> <strong>Mick Herron</strong> </li>
<li><strong>Under the Jaguar Sun</strong> <i>by</i> <strong>Italo Calvino</strong> </li>
<li><strong>Songs of Enchantment</strong> <i>by</i> <strong>Ben Okri</strong> </li>
<li><strong>Damascus Station</strong> <i>by</i> <strong>David McCloskey</strong> </li>
<li><strong>Think Like a Game Designer</strong> <i>by</i> <strong>Justin Gary</strong> </li>
<li><strong>The Silver Bone</strong> <i>by</i> <strong>Andrey Kurkov</strong> </li>
<li><strong>Juice</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>The Summer Book</strong> <i>by</i> <strong>Tove Jansson</strong> </li>
<li><strong>Human Acts</strong> <i>by</i> <strong>Han Kang</strong> </li>
<li><strong>Room Temperature</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>Command Performance</strong> <i>by</i> <strong>Jean Echenoz</strong> </li>
<li><strong>The Famished Road</strong> <i>by</i> <strong>Ben Okri</strong> </li>
<li><strong>Question 7</strong> <i>by</i> <strong>Richard Flanagan</strong> </li>
<li><strong>The Fermata</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>Priestdaddy</strong> <i>by</i> <strong>Patricia Lockwood</strong> </li>
<li><strong>Natural Causes</strong> <i>by</i> <strong>Nina Lykke</strong> </li>
<li><strong>On the Calculation of Volume II</strong> <i>by</i> <strong>Solvej Balle</strong> </li>
<li><strong>Until August</strong> <i>by</i> <strong>Gabriel García Márquez</strong> </li>
<li><strong>Suicide</strong> <i>by</i> <strong>Edouard Levé</strong> </li>
<li><strong>There's a Monster Behind the Door</strong> <i>by</i> <strong>Gaëlle Bélem</strong> </li>
<li><strong>Undiscovered</strong> <i>by</i> <strong>Gabriela Wiener</strong> </li>
<li><strong>Shadowbahn</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>Cloudstreet</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>GameTek</strong> <i>by</i> <strong>Geoffrey Engelstein</strong> </li>
<li><strong>Their Brilliant Careers</strong> <i>by</i> <strong>Ryan O'Neill</strong> </li>
<li><strong>See You Tomorrow</strong> <i>by</i> <strong>Tore Renberg</strong> </li>
<li><strong>Jazz</strong> <i>by</i> <strong>Toni Morrison</strong> </li>
<li><strong>The Amazing Adventures of Kavalier and Clay</strong> <i>by</i> <strong>Michael Chabon</strong> </li>
<li><strong>Red Sword</strong> <i>by</i> <strong>Bora Chung</strong> </li>
<li><strong>The Corrections</strong> <i>by</i> <strong>Jonathen Franzen</strong> </li>
<li><strong>Reservoir Bitches</strong> <i>by</i> <strong>Dahlia de la Cerda</strong> </li>
<li><strong>Europe Central</strong> <i>by</i> <strong>William T. Vollmann</strong> </li>
<li><strong>On the Calculation of Volume</strong> <i>by</i> <strong>Solvej Balle</strong> </li>
<li><strong>1984</strong> <i>by</i> <strong>George Orwell</strong> </li>
<li><strong>If Only</strong> <i>by</i> <strong>Vigdis Hjorth</strong> </li>
<li><strong>Small Boat</strong> <i>by</i> <strong>Vincent Delecroix</strong> </li>
<li><strong>Crook Manifesto</strong> <i>by</i> <strong>Colson Whitehead</strong> </li>
<li><strong>Under the Eye of the Big Bird</strong> <i>by</i> <strong>Hiromi Kawakami</strong> </li>
<li><strong>Perfection</strong> <i>by</i> <strong>Vincenzo Latronico</strong> </li>
<li><strong>A Leopard-Skip Hat</strong> <i>by</i> <strong>Anne Serre</strong> </li>
<li><strong>Eurotrash</strong> <i>by</i> <strong>Christian Kracht</strong> </li>
<li><strong>Hunchback</strong> <i>by</i> <strong>Saou Ichikawa</strong> </li>
<li><strong>Our Ecstatic Days</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>Almond</strong> <i>by</i> <strong>Won-Pyung Sohn</strong> </li>
<li><strong>Tomb of Sand</strong> <i>by</i> <strong>Geetanjali Shree</strong> </li>
<li><strong>The Imagined Land</strong> <i>by</i> <strong>Eduardo Berti</strong> </li>
<li><strong>Troll: A Love Story</strong> <i>by</i> <strong>Johanna Simisalo</strong> </li>
<li><strong>Boy Swallows Universe</strong> <i>by</i> <strong>Trent Dalton</strong> </li>
<li><strong>Rina</strong> <i>by</i> <strong>Kang Young-Sook</strong> </li>
<li><strong>Orbital</strong> <i>by</i> <strong>Samantha Harvey</strong> </li>
<li><strong>Simpatía</strong> <i>by</i> <strong>Rodrigo Blanco Calderón</strong> </li>
<li><strong>Angels</strong> <i>by</i> <strong>Denis Johnson</strong> </li>
<li><strong>Lord of the Flies</strong> <i>by</i> <strong>William Golding</strong> </li>
<li><strong>The Looking Glass War</strong> <i>by</i> <strong>John le Carré</strong> </li>
<li><strong>Held</strong> <i>by</i> <strong>Anne Michaels</strong> </li>
<li><strong>The Tetherballs of Bougainville</strong> <i>by</i> <strong>Mark Leyner</strong> </li>
<li><strong>Newspaper</strong> <i>by</i> <strong>Edouard Levé</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2024">
<button class="year-header" aria-expanded="false">
<h2>2024 <span class="year-count"></span></h2>
<span class="year-chevron" aria-hidden="true">▼</span>
</button>
<div class="year-content">
<ol reversed class="book-list">
<li><strong>We Three</strong> <i>by</i> <strong>Jean Echenoz</strong> </li>
<li><strong>Animal Farm</strong> <i>by</i> <strong>George Orwell</strong> </li>
<li><strong>Creation Lake</strong> <i>by</i> <strong>Rachel Kushner</strong> </li>
<li><strong>In Concrete</strong> <i>by</i> <strong>Anne Garréta</strong> </li>
<li><strong>Ædnan</strong> <i>by</i> <strong>Linnea Axelsson</strong> </li>
<li><strong>Vox</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>The Spy Who Came in From the Cold</strong> <i>by</i> <strong>John le Carré</strong> </li>
<li><strong>The Red Handler</strong> <i>by</i> <strong>Johan Harstad</strong> </li>
<li><strong>Autoportrait</strong> <i>by</i> <strong>Edouard Levé</strong> </li>
<li><strong>A Murder of Quality</strong> <i>by</i> <strong>John Le Carré</strong> </li>
<li><strong>My Heavenly Friend</strong> <i>by</i> <strong>Lucas Rijneveld</strong> </li>
<li><strong>A Dictator Calls</strong> <i>by</i> <strong>Ismail Kadare</strong> </li>
<li><strong>Not a River</strong> <i>by</i> <strong>Selva Almada</strong> </li>
<li><strong>The Little Friend</strong> <i>by</i> <strong>Donna Tartt</strong> </li>
<li><strong>Kairos</strong> <i>by</i> <strong>Jenny Erpenbeck</strong> </li>
<li><strong>White Nights</strong> <i>by</i> <strong>Ursula Honek</strong> </li>
<li><strong>The Goldbug Variations</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>What I'd Rather not Think About</strong> <i>by</i> <strong>Jente Posthuma</strong> </li>
<li><strong>Vladivostok Circus</strong> <i>by</i> <strong>Elisa Shua Dusapin</strong> </li>
<li><strong>Lost on Me</strong> <i>by</i> <strong>Veronica Raimo</strong> </li>
<li><strong>These Dreams of You</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>Greek Lessons</strong> <i>by</i> <strong>Han Kang</strong> </li>
<li><strong>The Sea Came at Midnight</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>Gun, with Occasional Music</strong> <i>by</i> <strong>Jonathan Lethem</strong> </li>
<li><strong>Erasure</strong> <i>by</i> <strong>Percival Everett</strong> </li>
<li><strong>The Details</strong> <i>by</i> <strong>Ia Genberg</strong> </li>
<li><strong>Not One Day</strong> <i>by</i> <strong>Anne Garréta</strong> </li>
<li><strong>Tours of the Black Clock</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>Americanah</strong> <i>by</i> <strong>Chimamanda Ngozi Adichie</strong> </li>
<li><strong>One Hundred Twenty-One Days</strong> <i>by</i> <strong>Michèle Audin</strong> </li>
<li><strong>Homesickness</strong> <i>by</i> <strong>Murray Bail</strong> </li>
<li><strong>Shuggie Bain</strong> <i>by</i> <strong>Douglas Stuart</strong> </li>
<li><strong>Prisoner's Dilemma</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>The Solitary Twin</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>The English Patient</strong> <i>by</i> <strong>Michael Ondaatje</strong> </li>
<li><strong>Days Between Stations</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>A Void</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>Tom Lake</strong> <i>by</i> <strong>Ann Patchett</strong> </li>
<li><strong>Rubicon Beach</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>My Life in CIA</strong> <i>by</i> <strong>Harry Matthews</strong></li>
<li><strong>Satin Island</strong> <i>by</i> <strong>Tom McCarthy</strong> </li>
<li><strong>Convenience Store Woman</strong> <i>by</i> <strong>Sayaka Murata</strong> </li>
<li><strong>The Employees: A workplace novel for the 22nd century</strong> <i>by</i> <strong>Olga Ravn</strong> </li>
<li><strong>Second Place</strong> <i>by</i> <strong>Rachel Cusk</strong> </li>
<li><strong>Call for the Dead</strong> <i>by</i> <strong>John le Carré</strong> </li>
<li><strong>Study for Obedience</strong> <i>by</i> <strong>Sarah Bernstein</strong> </li>
<li><strong>Western Lane</strong> <i>by</i> <strong>Chetna Maroo</strong> </li>
<li><strong>The Regeneration Trilogy (Regeneration, The Eye in the Door, The Ghost Road)</strong> <i>by</i> <strong>Pat Barker</strong> </li>
<li><strong>American Stutter 2019-2021</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>True History of the Kelly Gang</strong> <i>by</i> <strong>Peter Carey</strong> </li>
<li><strong>Man-Eating Typewriter</strong> <i>by</i> <strong>Richard Milward</strong> </li>
<li><strong>How to do Things with Forms: The OuLiPo and its Inventions</strong> <i>by</i> <strong>Chris Andrews</strong> </li>
<li><strong>Last Orders</strong> <i>by</i> <strong>Graham Swift</strong> </li>
<li><strong>Schindler's Arc</strong> <i>by</i> <strong>Thomas Keneally</strong> </li>
<li><strong>The Unbearable Lightness of Being</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>Double Jeopardy</strong> <i>by</i> <strong>Jean Enchenoz</strong> </li>
<li><strong>Amnesiascope</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>The Blind Assassin</strong> <i>by</i> <strong>Margaret Atwood</strong> </li>
<li><strong>If on a winter's night a traveller</strong> <i>by</i> <strong>Italo Calvino</strong> </li>
<li><strong>Deacon King Kong</strong> <i>by</i> <strong>James McBride</strong> </li>
<li><strong>The Faster I Walk the Smaller I am</strong> <i>by</i> <strong>Kjersti A. Skomsvold</strong> </li>
<li><strong>The Book of Laughter and Forgetting</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>ARC d'X</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2023">
<button class="year-header" aria-expanded="false">
<h2>2023 <span class="year-count"></span></h2>
<span class="year-chevron" aria-hidden="true">▼</span>
</button>
<div class="year-content">
<ol reversed class="book-list">
<li><strong>Cursed Bunny</strong> <i>by</i> <strong>Bora Chung</strong> </li>
<li><strong>Un Amor</strong> <i>by</i> <strong>Sara Mesa</strong> </li>
<li><strong>Jimi Hendrix Live in Lviv</strong> <i>by</i> <strong>Andrey Kurkov</strong> </li>
<li><strong>The Country of the Blind</strong> <i>by</i> <strong>Andrew Leland</strong> </li>
<li><strong>The Border Trilogy (All the Pretty Horses, The Crossing, Cities of the Plain)</strong> <i>by</i> <strong>Cormac McCarthy</strong> </li>
<li><strong>The White Tiger</strong> <i>by</i> <strong>Arvind Adiga</strong> </li>
<li><strong>Kafka on the Shore</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>Aliss at the Fire</strong> <i>by</i> <strong>Jon Fosse</strong> </li>
<li><strong>Zeroville</strong> <i>by</i> <strong>Steve Erickson</strong> </li>
<li><strong>The Seven Moons of Maali Almeida</strong> <i>by</i> <strong>Shehan Karunatilaka</strong> </li>
<li><strong>A Shining</strong> <i>by</i> <strong>Jon Fosse</strong> </li>
<li><strong>A Spell of Winter</strong> <i>by</i> <strong>Helen Dunmore</strong> </li>
<li><strong>The Netanyahus</strong> <i>by</i> <strong>Joshua Cohen</strong> </li>
<li><strong>Whale</strong> <i>by</i> <strong>Cheon Myeong-Kwan</strong> </li>
<li><strong>Paddy Clarke Ha Ha Ha</strong> <i>by</i> <strong>Roddy Doyle</strong> </li>
<li><strong>All the Little Bird-Hearts</strong> <i>by</i> <strong>Viktoria LLoyd-Barlow</strong> </li>
<li><strong>The Narrow Road to the Deep North</strong> <i>by</i> <strong>Richard Flanagan</strong> </li>
<li><strong>The Conservationist</strong> <i>by</i> <strong>Nadine Gordimer</strong> </li>
<li><strong>To the Lighthouse</strong> <i>by</i> <strong>Virginia Woolf</strong> </li>
<li><strong>No One is Talking About This</strong> <i>by</i> <strong>Patricia Lockwood</strong> </li>
<li><strong>Three Farmers on Their Way to a Dance</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>Defiance</strong> <i>by</i> <strong>Carole Maso</strong> </li>
<li><strong>Small Things Like These</strong> <i>by</i> <strong>Claire Keegen</strong> </li>
<li><strong>My Struggle 5: Some Rain Must Fall</strong> <i>by</i> <strong>Karl Ove Knausgaard</strong> </li>
<li><strong>Pierrot Mon Ami</strong> <i>by</i> <strong>Raymond Queneau</strong> </li>
<li><strong>The Box Man</strong> <i>by</i> <strong>Kobe Abe</strong> </li>
<li><strong>The Voyage</strong> <i>by</i> <strong>Murray Bail</strong> </li>
<li><strong>A System So Magnificent it is Blinding</strong> <i>by</i> <strong>Amanda Svensson</strong> </li>
<li><strong>Camouflage</strong> <i>by</i> <strong>Murray Bail</strong> </li>
<li><strong>Fire Down Below</strong> <i>by</i> <strong>William Golding</strong> </li>
<li><strong>Slaughterhouse Five</strong> <i>by</i> <strong>Kurt Vonnegut</strong> </li>
<li><strong>My Struggle 4: Dancing in the Dark</strong> <i>by</i> <strong>Karl Ove Knausgaard</strong> </li>
<li><strong>Armadillo</strong> <i>by</i> <strong>William Boyd</strong> </li>
<li><strong>The Last Novel</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>Vanishing Point</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>This is not a Novel</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>Reader's Block</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>The Pages</strong> <i>by</i> <strong>Murray Bail</strong> </li>
<li><strong>Standing Heavy</strong> <i>by</i> <strong>GauZ'</strong> </li>
<li><strong>Willful Disregard</strong> <i>by</i> <strong>Lena Andersson</strong> </li>
<li><strong>Close Quarters</strong> <i>by</i> <strong>William Golding</strong> </li>
<li><strong>Boulder</strong> <i>by</i> <strong>Eva Baltasar</strong> </li>
<li><strong>Rites of Passage</strong> <i>by</i> <strong>William Golding</strong> </li>
<li><strong>The Boy Behind The Curtain</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>Moon Tiger</strong> <i>by</i> <strong>Penelope Lively</strong> </li>
<li><strong>The Half Brother</strong> <i>by</i> <strong>Lars Saabye Christensen</strong> </li>
<li><strong>Why I Have Not Written Any of My Books</strong> <i>by</i> <strong>Marcel Bénabou</strong> </li>
<li><strong>The White Book</strong> <i>by</i> <strong>Han Kang</strong> </li>
<li><strong>Ninth Building</strong> <i>by</i> <strong>Zou Jingzhi</strong> </li>
<li><strong>The Finkler Question</strong> <i>by</i> <strong>Howard Jakobson</strong> </li>
<li><strong>1Q84</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>Bewilderment</strong> <i>by</i> <strong>Richard Powers</strong> </li>
<li><strong>Farewell Waltz</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>Normal People</strong> <i>by</i> <strong>Sally Rooney</strong> </li>
<li><strong>The Adventures of Huckleberry Finn</strong> <i>by</i> <strong>Mark Twain</strong> </li>
<li><strong>The Signal and the Noise</strong> <i>by</i> <strong>Nate Silver</strong> </li>
<li><strong>Loiterature</strong> <i>by</i> <strong>Ross Chambers</strong> </li>
<li><strong>Time Shelter</strong> <i>by</i> <strong>Georgi Gospodinov</strong> </li>
<li><strong>The Ministry of Utmost Happiness</strong> <i>by</i> <strong>Arundhati Roy</strong> </li>
<li><strong>G</strong> <i>by</i> <strong>John Berger</strong> </li>
<li><strong>OuLiPo and the Mathematics of Literature</strong> <i>by</i> <strong>Natalie Berkman</strong> </li>
<li><strong>Everything in its Right Place: Analyzing Radiohead</strong> <i>by</i> <strong>Brad Osborn</strong> </li>
<li><strong>20 Lines a Day</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>Laughable Loves</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>W or The Memory of Childhood</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>The Crying of Lot 49</strong> <i>by</i> <strong>Thomas Pynchon</strong> </li>
<li><strong>A Man Asleep</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>Things</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>The Promise</strong> <i>by</i> <strong>Damon Galgut</strong> </li>
<li><strong>I Remember</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>Three</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>The Maximalist Novel</strong> <i>by</i> <strong>Stefano Ercolino</strong> </li>
<li><strong>Holiday</strong> <i>by</i> <strong>Stanley Middleton</strong> </li>
<li><strong>The Orchard</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>English Magic</strong> <i>by</i> <strong>Uschi Gatward</strong> </li>
<li><strong>Life A User's Manual</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>The Elected Member</strong> <i>by</i> <strong>Bernice Rubens</strong> </li>
<li><strong>Birnam Wood</strong> <i>by</i> <strong>Eleanor Catton</strong> </li>
<li><strong>Eucalyptus</strong> <i>by</i> <strong>Murray Bail</strong> </li>
<li><strong>The Conversions</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>The Making of Incarnation</strong> <i>by</i> <strong>Tom McCarthy</strong> </li>
<li><strong>The Shepherd's Hut</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>Heat and Dust</strong> <i>by</i> <strong>Ruth Prawer Jhabvala</strong> </li>
<li><strong>Yello Back Radio Broke-Down</strong> <i>by</i> <strong>Ishmael Reed</strong> </li>
<li><strong>I'm Gone</strong> <i>by</i> <strong>Jean Echenoz</strong> </li>
<li><strong>Vernon God Little</strong> <i>by</i> <strong>DBC Pierre</strong> </li>
<li><strong>My Struggle 3: Boyhood Island</strong> <i>by</i> <strong>Karl Ove Knausgaard</strong> </li>
<li><strong>A Clockwork Orange</strong> <i>by</i> <strong>Anthony Burgess</strong> </li>
<li><strong>The Journalist</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>Life and Times of Michael K</strong> <i>by</i> <strong>J. M. Coetzee</strong> </li>
<li><strong>The Afterlives of Georges Perec</strong> <i>by</i> <strong>Rowan Wilken and Justin Clemens (Editors)</strong> </li>
<li><strong>Something to Answer for</strong> <i>by</i> <strong>P. H. Newby</strong> </li>
<li><strong>First Person</strong> <i>by</i> <strong>Richard Flanagan</strong> </li>
<li><strong>Colourless Tsukuru Tazaki and His Years of Pilgrimage</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>Getting Lost</strong> <i>by</i> <strong>Annie Ernaux</strong> </li>
<li><strong>A Confederacy of Dunces</strong> <i>by</i> <strong>John Kennedy Toole</strong> </li>
<li><strong>Country Cooking and Other Stories</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>The Caretaker</strong> <i>by</i> <strong>Harold Pinter</strong> </li>
<li><strong>Dancing Lessons for the Advanced in Age</strong> <i>by</i> <strong>Bohumil Hrabal</strong> </li>
<li><strong>The Castle of Crossed Destinies</strong> <i>by</i> <strong>Italo Calvino</strong> </li>
<li><strong>The Commedians</strong> <i>by</i> <strong>Graham Greene</strong> </li>
<li><strong>Closely Observed Trains</strong> <i>by</i> <strong>Bohumil Hrabal</strong> </li>
<li><strong>S</strong> <i>by</i> <strong>Many authors</strong> </li>
<li><strong>The Lover</strong> <i>by</i> <strong>Margurite Duras</strong> </li>
<li><strong>The Outsider</strong> <i>by</i> <strong>Albert Camus</strong> </li>
<li><strong>Nausea</strong> <i>by</i> <strong>Jean-Paul Sartre</strong> </li>
<li><strong>Many Subtle Channels: in praise of potential literature</strong> <i>by</i> <strong>Daniel Levin Becker</strong> </li>
<li><strong>Septology</strong> <i>by</i> <strong>Jon Fosse</strong> </li>
<li><strong>The Voice Imitator</strong> <i>by</i> <strong>Thomas Bernhard</strong> </li>
<li><strong>Tlooth</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>Thomas Pynchon and the Digital Humanities</strong> <i>by</i> <strong>Erik Ketzan</strong> </li>
<li><strong>Invisible Cities</strong> <i>by</i> <strong>Italo Calvino</strong> </li>
<li><strong>How to Write One Song</strong> <i>by</i> <strong>Jeff Tweedy</strong> </li>
<li><strong>Life is Elsewhere</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>In a Free State</strong> <i>by</i> <strong>V. S. Naipaul</strong> </li>
<li><strong>Hunger</strong> <i>by</i> <strong>Knut Hamsun</strong> </li>
<li><strong>Computing Taste</strong> <i>by</i> <strong>Nick Seaver</strong> </li>
<li><strong>The Gathering</strong> <i>by</i> <strong>Anne Enright</strong> </li>
<li><strong>Dance Dance Dance</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>The Years</strong> <i>by</i> <strong>Annie Ernaux</strong> </li>
<li><strong>Everything Like Before</strong> <i>by</i> <strong>Kjell Askildsen</strong> </li>
<li><strong>The Sea</strong> <i>by</i> <strong>John Banville</strong> </li>
<li><strong>The New American</strong> <i>by</i> <strong>Micheline Aharonian Marcom</strong> </li>
<li><strong>Offshore</strong> <i>by</i> <strong>Penelope Fitzgerald</strong> </li>
<li><strong>Amsterdam</strong> <i>by</i> <strong>Ian McEwan</strong> </li>
<li><strong>The Sense of an Ending</strong> <i>by</i> <strong>Julian Barnes</strong> </li>
<li><strong>Hotel du Lac</strong> <i>by</i> <strong>Anita Brookner</strong> </li>
<li><strong>Sputnik Sweetheart</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>Leaf Storm</strong> <i>by</i> <strong>Gabriel García Márquez</strong> </li>
<li><strong>South of the Border, West of the Sun</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>Is Mother Dead</strong> <i>by</i> <strong>Vigdis Hjorth</strong> </li>
<li><strong>The Egyptian</strong> <i>by</i> <strong>Mika Waltari</strong> </li>
<li><strong>Glory</strong> <i>by</i> <strong>NoViolet Bulawayo</strong> </li>
<li><strong>Portnoy's Complaint</strong> <i>by</i> <strong>Philip Roth</strong> </li>
<li><strong>Norwegian Wood</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>Berge</strong> <i>by</i> <strong>Jan Kjærstad</strong> </li>
<li><strong>The Luminaries</strong> <i>by</i> <strong>Eleanor Catton</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2022">
<button class="year-header" aria-expanded="false">
<h2>2022 <span class="year-count"></span></h2>
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</button>
<div class="year-content">
<ol reversed class="book-list">
<li><strong>Happening</strong> <i>by</i> <strong>Annie Ernaux</strong></li> <li><strong>Island Home: A Landscape Memoir</strong> <i>by</i> <strong>Tim Winton</strong></li>
<li><strong>Lapvona</strong> <i>by</i> <strong>Ottessa Moshfegh</strong></li>
<li><strong>Armand V.</strong> <i>by</i> <strong>Dag Solstad</strong></li>
<li><strong>Osebol</strong> <i>by</i> <strong>Marit Kapla</strong></li>
<li><strong>Lanzarote</strong> <i>by</i> <strong>Michel Houellebecq</strong></li>
<li><strong>The Secret History</strong> <i>by</i> <strong>Donna Tartt</strong></li>
<li><strong>Death in her Hands</strong> <i>by</i> <strong>Ottessa Moshfegh</strong></li>
<li><strong>The Lady in the Lake</strong> <i>by</i> <strong>Raymond Chandler</strong></li>
<li><strong>A Girl's Story</strong> <i>by</i> <strong>Annie Ernaux</strong></li>
<li><strong>Atomised</strong> <i>by</i> <strong>Michel Houellebecq</strong></li>
<li><strong>Hard-boiled Wonderland and the End of the World</strong> <i>by</i> <strong>Haruki Murakami</strong></li>
<li><strong>The Art Lover</strong> <i>by</i> <strong>Carole Maso</strong></li>
<li><strong>The Vanishing Half</strong> <i>by</i> <strong>Brit Bennett</strong></li>
<li><strong>Trilogy</strong> <i>by</i> <strong>Jon Fosse</strong></li>
<li><strong>Self-control</strong> <i>by</i> <strong>Stig Sæterbakken</strong></li>
<li><strong>A Short Treatise Inviting the Reader to Discover the Subtle Art of Go</strong> <i>by</i> <strong>Pierre Lusson, Georges Perec, and Jacques Roubaud</strong></li>
<li><strong>Siamese</strong> <i>by</i> <strong>Stig Sæterbakken</strong></li>
<li><strong>A Wild Sheep Chase</strong> <i>by</i> <strong>Haruki Murakami</strong></li>
<li><strong>A Man's Place</strong> <i>by</i> <strong>Annie Ernaux</strong></li>
<li><strong>The Discoverer</strong> <i>by</i> <strong>Jan Kjærstad</strong></li>
<li><strong>Wind/Pinball</strong> <i>by</i> <strong>Haruki Murakami</strong></li>
<li><strong>The Joke</strong> <i>by</i> <strong>Milan Kundera</strong></li>
<li><strong>Wittgenstein's Mistress</strong> <i>by</i> <strong>David Markson</strong></li>
<li><strong>Too Loud a Solitude</strong> <i>by</i> <strong>Bohumil Hrabal</strong></li>
<li><strong>Play It As It Lays</strong> <i>by</i> <strong>Joan Didion</strong></li>
<li><strong>Sa Femme</strong> <i>by</i> <strong>Emmanuele Bernheim</strong></li>
<li><strong>Tourism</strong> <i>by</i> <strong>Bernard Cohen</strong></li>
<li><strong>Simple Passion</strong> <i>by</i> <strong>Annie Ernaux</strong></li>
<li><strong>C</strong> <i>by</i> <strong>Tom McCarthy</strong></li>
<li><strong>The Cyclist Conspiracy</strong> <i>by</i> <strong>Svetislav Barasa</strong></li>
<li><strong>Surfacing</strong> <i>by</i> <strong>Margaret Atwood</strong></li>
<li><strong>Harlem Shuffle</strong> <i>by</i> <strong>Colson Whitehead</strong></li>
<li><strong>Dear Reader</strong> <i>by</i> <strong>Paul Fournel</strong></li>
<li><strong>My Struggle 2: A Man in Love</strong> <i>by</i> <strong>Karl Ove Knausgaard</strong></li>
<li><strong>Mother and Child</strong> <i>by</i> <strong>Carole Maso</strong></li>
<li><strong>The Living Sea of Waking Dreams</strong> <i>by</i> <strong>Richard Flanagan</strong></li>
<li><strong>The Magician of Vienna</strong> <i>by</i> <strong>Sergio Pitol</strong></li>
<li><strong>Many People Die Like You</strong> <i>by</i> <strong>Lina Wolff</strong></li>
<li><strong>Greenlights</strong> <i>by</i> <strong>Matthew McConaughey</strong></li>
<li><strong>Earthlings</strong> <i>by</i> <strong>Sayaka Murata</strong></li>
<li><strong>Welcome to America</strong> <i>by</i> <strong>Linda Boström Knausgård</strong></li>
<li><strong>The Pachinko Parlour</strong> <i>by</i> <strong>Elisa Shua Desapin</strong></li>
<li><strong>My Year of Rest and Relaxation</strong> <i>by</i> <strong>Otessa Moshfegh</strong></li>
<li><strong>The Appointment</strong> <i>by</i> <strong>Herta Müller</strong></li>
<li><strong>Bad Handwriting</strong> <i>by</i> <strong>Sara Mesa</strong></li>
<li><strong>The Conqueror</strong> <i>by</i> <strong>Jan Kjærstad</strong></li>
<li><strong>Distant Horizons</strong> <i>by</i> <strong>Ted Underwood</strong></li>
<li><strong>The Book of Proper Names</strong> <i>by</i> <strong>Amélie Nothomb</strong></li>
<li><strong>Replacement</strong> <i>by</i> <strong>Tor Ulven</strong></li>
<li><strong>The Family Clause</strong> <i>by</i> <strong>Jonas Hassen Khemiri</strong></li>
<li><strong>The Goldfinch</strong> <i>by</i> <strong>Donna Tartt</strong></li>
<li><strong>The Trial</strong> <i>by</i> <strong>Franz Kafka</strong></li>
<li><strong>Signs Preceding the End of the World</strong> <i>by</i> <strong>Yuri Herrera</strong></li>
<li><strong>Homesick for Another World</strong> <i>by</i> <strong>Ottessa Moshfegh</strong></li>
<li><strong>Don't Leave Me</strong> <i>by</i> <strong>Stig Sæterbakken</strong></li>
<li><strong>Night Train to Lisbon</strong> <i>by</i> <strong>Pascal Mercier</strong></li>
<li><strong>The Anomaly</strong> <i>by</i> <strong>Hervé Le Tellier</strong></li>
<li><strong>Devil in a Coma</strong> <i>by</i> <strong>Mark Lanegan</strong></li>
<li><strong>Shape</strong> <i>by</i> <strong>Jordan Ellenberg</strong></li>
<li><strong>Long Live the Post Horn!</strong> <i>by</i> <strong>Vigdis Hjorth</strong></li>
<li><strong>Redhead by the Side of the Road</strong> <i>by</i> <strong>Anne Tyler</strong></li>
<li><strong>The Child</strong> <i>by</i> <strong>Kersti A. Skomsvold</strong></li>
<li><strong>My Struggle 1: A Death in the Family</strong> <i>by</i> <strong>Karl Ove Knausgaard</strong></li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2021">
<button class="year-header" aria-expanded="false">
<h2>2021 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>Ducks, Newburyport</strong> <i>by</i> <strong>Lucy Elmann</strong> </li> <li><strong>Brother in Ice</strong> <i>by</i> <strong>Alicia Kopf</strong> </li>
<li><strong>Invisible Hands</strong> <i>by</i> <strong>Stig Sæterbakken</strong> </li>
<li><strong>The Shining</strong> <i>by</i> <strong>Stephen King</strong> </li>
<li><strong>Big Sur</strong> <i>by</i> <strong>jack Kerouac</strong> </li>
<li><strong>Anatomy. Monotony.</strong> <i>by</i> <strong>Edy Poppy</strong> </li>
<li><strong>A House in Norway</strong> <i>by</i> <strong>Vigdis Hjorth</strong> </li>
<li><strong>Childhood, Youth, Dependency</strong> <i>by</i> <strong>Tove Ditlevsen</strong> </li>
<li><strong>Snow White</strong> <i>by</i> <strong>Donald Barthelme</strong> </li>
<li><strong>Harry Potter and the Prisoner of Azkaban</strong> <i>by</i> <strong>J. K. Rowling</strong> </li>
<li><strong>The Blue Room</strong> <i>by</i> <strong>Hanne Ørstavik</strong> </li>
<li><strong>Break Every Rule</strong> <i>by</i> <strong>Carole Maso</strong> </li>
<li><strong>The Last Days of My Mother</strong> <i>by</i> <strong>Sölvi Björn Sigurðsson</strong> </li>
<li><strong>Whatever</strong> <i>by</i> <strong>Michel Houellebecq</strong> </li>
<li><strong>The Employees: A workplace novel for the 22nd Century</strong> <i>by</i> <strong>Olga Ravn</strong> </li>
<li><strong>Let Me Sleep Until This is Just a Dream</strong> <i>by</i> <strong>Ellisiv Stifoss-Hanssen</strong> </li>
<li><strong>Morning and Evening</strong> <i>by</i> <strong>Jon Fosse</strong> </li>
<li><strong>The Seducer</strong> <i>by</i> <strong>Jan Kjærstad</strong> </li>
<li><strong>The Journey</strong> <i>by</i> <strong>Sergio Pitol</strong> </li>
<li><strong>The Lost Shtetl</strong> <i>by</i> <strong>Max Gross</strong> </li>
<li><strong>The Room Lit by Roses</strong> <i>by</i> <strong>Carole Meso</strong> </li>
<li><strong>The Polyglot Lovers</strong> <i>by</i> <strong>Lina Wolff</strong> </li>
<li><strong>Among the Hedges</strong> <i>by</i> <strong>Sara Mesa</strong> </li>
<li><strong>Through the Night</strong> <i>by</i> <strong>Stig Sæterbakken</strong> </li>
<li><strong>This Could Have Become Ramayan Chamar's Tale</strong> <i>by</i> <strong>Subimal Misra</strong> </li>
<li><strong>Scar</strong> <i>by</i> <strong>Sara Mesa</strong> </li>
<li><strong>Beauty is Compulsive: the Passion of Frida Kahlo</strong> <i>by</i> <strong>Carole Maso</strong> </li>
<li><strong>The Notebook, The Proof, The Third Lie</strong> <i>by</i> <strong>Agota Kristof</strong> </li>
<li><strong>Children in Reindeer Woods</strong> <i>by</i> <strong>Kristín Ómarsdóttir</strong> </li>
<li><strong>Piranesi</strong> <i>by</i> <strong>Susanna Clarke</strong> </li>
<li><strong>Aurelole</strong> <i>by</i> <strong>Carole Maso</strong> </li>
<li><strong>Four by Four</strong> <i>by</i> <strong>Sara Mesa</strong> </li>
<li><strong>Dolly City</strong> <i>by</i> <strong>Orly Castel-Bloom</strong> </li>
<li><strong>Monsterhuman</strong> <i>by</i> <strong>Kjersti Skomsvold</strong> </li>
<li><strong>Harry Potter and the Chamber of Secrets</strong> <i>by</i> <strong>J. K. Rowling</strong> </li>
<li><strong>The Land of Green Plums</strong> <i>by</i> <strong>Herta Müller</strong> </li>
<li><strong>Narrator</strong> <i>by</i> <strong>Bragi Ólafsson</strong> </li>
<li><strong>The Rabbit Back Literature Society</strong> <i>by</i> <strong>Pasi Ilmari Jääskeläinen</strong> </li>
<li><strong>Will and Testament</strong> <i>by</i> <strong>Vigdis Hjorth</strong> </li>
<li><strong>At Night All Blood is Black</strong> <i>by</i> <strong>David Diop</strong> </li>
<li><strong>Ghost Dance</strong> <i>by</i> <strong>Carole Maso</strong> </li>
<li><strong>Solutions and Other Problems</strong> <i>by</i> <strong>Allie Brosh</strong> </li>
<li><strong>Gilead</strong> <i>by</i> <strong>Marilynne Robinson</strong> </li>
<li><strong>'Salem's Lot</strong> <i>by</i> <strong>Stephen King</strong> </li>
<li><strong>After Dark</strong> <i>by</i> <strong>Haruki Murakami</strong> </li>
<li><strong>The Ambassador</strong> <i>by</i> <strong>Bragi Ólafsson</strong> </li>
<li><strong>The Savage Detectives</strong> <i>by</i> <strong>Roberto Bolaño</strong> </li>
<li><strong>Blindness</strong> <i>by</i> <strong>José Saramago</strong> </li>
<li><strong>The Art of Flight</strong> <i>by</i> <strong>Sergio Pitol</strong> </li>
<li><strong>My Cat Yugoslavia</strong> <i>by</i> <strong>Pajtim Statovci</strong> </li>
<li><strong>Kim Jiyoung, Born 1982</strong> <i>by</i> <strong>Cho Nam-Joo</strong> </li>
<li><strong>Carrie</strong> <i>by</i> <strong>Stephen King</strong> </li>
<li><strong>Distant Reading</strong> <i>by</i> <strong>Franco Moretti</strong> </li>
<li><strong>Daring Greatly</strong> <i>by</i> <strong>Brené Brown</strong> </li>
<li><strong>Brief Notes on the Art of Arranging One's Books</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>Roadside Picnic</strong> <i>by</i> <strong>Arkady and Boris Strugatsky </strong> </li>
<li><strong>Let the old dead make room for the young dead</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>Antkind</strong> <i>by</i> <strong>Charlie Kaufman</strong> </li>
<li><strong>Men in Space</strong> <i>by</i> <strong>Tom McCarthy</strong> </li>
<li><strong>The Scout Mindset</strong> <i>by</i> <strong>Julia Galef</strong> </li>
<li><strong>The Book of Why</strong> <i>by</i> <strong>Judea Pearl and Dana MacKenzie</strong> </li>
<li><strong>The Art of Statistics</strong> <i>by</i> <strong>David Spiegelhalter</strong> </li>
<li><strong>Wishes</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>Worlds Hidden in Plain Sight</strong> <i>by</i> <strong>David C. Krakauer (ed.)</strong> </li>
<li><strong>Lie with me</strong> <i>by</i> <strong>Philippe Besson</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2020">
<button class="year-header" aria-expanded="false">
<h2>2020 <span class="year-count"></span></h2>
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<ol reversed class="book-list">
<li><strong>Macroanalysis</strong> <i>by</i> <strong>Matthew L. Jockers</strong> </li>
<li><strong>Graphs Maps Trees</strong> <i>by</i> <strong>Franco Moretti</strong> </li>
<li><strong>Reading Machines</strong> <i>by</i> <strong>Stephen Ramsay</strong> </li>
<li><strong>Educated</strong> <i>by</i> <strong>Tara Westover</strong> </li>
<li><strong>The Bestseller Code</strong> <i>by</i> <strong>Jodie Archer and Matthew L. Jockers</strong> </li>
<li><strong>Dark Paradise</strong> <i>by</i> <strong>Rosa Liksom</strong> </li>
<li><strong>The Perks of Being a Wallflower</strong> <i>by</i> <strong>Stephen Chbosky</strong> </li>
<li><strong>Factfulness</strong> <i>by</i> <strong>Hans, Ola and Anna Rosling</strong> </li>
<li><strong>The Memory Police</strong> <i>by</i> <strong>Yoko Ogawa</strong> </li>
<li><strong>Miss Iceland</strong> <i>by</i> <strong>Auður Ava Ólafsdóttir</strong> </li>
<li><strong>Tokyo Ueno Station</strong> <i>by</i> <strong>Yu Miri</strong> </li>
<li><strong>Tree of Smoke</strong> <i>by</i> <strong>Denis Johnson</strong> </li>
<li><strong>The Oulipo and Modern Thought</strong> <i>by</i> <strong>Dennis Duncan</strong> </li>
<li><strong>The Discomfort of Evening</strong> <i>by</i> <strong>Marieke Lucas Rijneveld</strong> </li>
<li><strong>Vertigo</strong> <i>by</i> <strong>Joanna Walsh</strong> </li>
<li><strong>Chaos and Dynamical Systems</strong> <i>by</i> <strong>David P. Feldman</strong> </li>
<li><strong>Purge</strong> <i>by</i> <strong>Sofi Okasanen</strong> </li>
<li><strong>The Brahmadells</strong> <i>by</i> <strong>Jóanes Nielsen</strong> </li>
<li><strong>Celestian Bodies</strong> <i>by</i> <strong>Jokha Alharthi</strong> </li>
<li><strong>Remainder</strong> <i>by</i> <strong>Tom McCarthy</strong> </li>
<li><strong>The Incompletes</strong> <i>by</i> <strong>Sergio Chejfec</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2019">
<button class="year-header" aria-expanded="false">
<h2>2019 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>The Nickel Boys</strong> <i>by</i> <strong>Colson Whitehead</strong> </li>
<li><strong>Asymmetry</strong> <i>by</i> <strong>Lisa Halliday</strong> </li>
<li><strong>John Dies at the End</strong> <i>by</i> <strong>David Wong</strong> </li>
<li><strong>The Nickel Boys</strong> <i>by</i> <strong>Colson Whitehead</strong> </li>
<li><strong>The Plains</strong> <i>by</i> <strong>Gerald Murnane</strong> </li>
<li><strong>Doomi Golo: The Hidden Notebooks</strong> <i>by</i> <strong>Boubacar Boris Diop</strong> </li>
<li><strong>The Black Signs</strong> <i>by</i> <strong>Lars Mørch Finborud</strong> </li>
<li><strong>My Sister the Serial Killer</strong> <i>by</i> <strong>Oyinkan Braithwaite</strong> </li>
<li><strong>History. A Mess.</strong> <i>by</i> <strong>Sigrún Pálsdóttir</strong> </li>
<li><strong>Stroke of Genius</strong> <i>by</i> <strong>Gideon Haigh</strong> </li>
<li><strong>Wise Children</strong> <i>by</i> <strong>Angela Carter</strong> </li>
<li><strong>Martha, Jack and Shanco</strong> <i>by</i> <strong>Caryl Lewis</strong> </li>
<li><strong>Flights</strong> <i>by</i> <strong>Olga Tokarczuk</strong> </li>
<li><strong>Gasoline</strong> <i>by</i> <strong>Quim Monzó</strong> </li>
<li><strong>The Gallows Pole</strong> <i>by</i> <strong>Benjamin Myers</strong> </li>
<li><strong>The Guinea Pigs</strong> <i>by</i> <strong>Ludvík Vaculók</strong> </li>
<li><strong>The Model Thinker</strong> <i>by</i> <strong>Scott E. Page</strong> </li>
<li><strong>Christie Malry's Own Double-Entry</strong> <i>by</i> <strong>B.S. Johnson</strong> </li>
<li><strong>Deep Ellum</strong> <i>by</i> <strong>Brandon Hobson</strong> </li>
<li><strong>Night School</strong> <i>by</i> <strong>Zsófia Bán</strong> </li>
<li><strong>The Faculty of Dreams</strong> <i>by</i> <strong>Sara Stridsberg</strong> </li>
<li><strong>Chronicle of the Murdered House</strong> <i>by</i> <strong>Lúcio Cardosa</strong> </li>
<li><strong>Natural Complexity</strong> <i>by</i> <strong>Paul Charbonneau</strong> </li>
<li><strong>Viruses as Complex Adaptive System</strong> <i>by</i> <strong>Ricard Solé and Santiago F. Elena</strong> </li>
<li><strong>Behold the Dreamers</strong> <i>by</i> <strong>Imbolo Mbue</strong> </li>
<li><strong>OULIPO Pornobongo: Anthology of Erotic Wordplay</strong> <i>by</i> <strong>Various Authors</strong> </li>
<li><strong>Satin Island</strong> <i>by</i> <strong>Tom McCarthy</strong> </li>
<li><strong>The White Book</strong> <i>by</i> <strong>Han Kang</strong> </li>
<li><strong>Smoke Gets in Your Eyes</strong> <i>by</i> <strong>Caitlin Doughty</strong> </li>
<li><strong>Lincoln in the Bardo</strong> <i>by</i> <strong>George Saunders</strong> </li>
<li><strong>Milkman</strong> <i>by</i> <strong>Anna Burns</strong> </li>
<li><strong>Harry Potter and the Philosopher's Stone</strong> <i>by</i> <strong>J.K. Rowling</strong> </li>
<li><strong>The Raison King</strong> <i>by</i> <strong>Fredrik Sjöberg</strong> </li>
<li><strong>Lagom: The Swedish Art of Living a Balanced, Happy Life</strong> <i>by</i> <strong>Niki Brantmark</strong>
<li><strong>The Misfortunates</strong> <i>by</i> <strong>Dimitri Verhulst</strong> </li>
<li><strong>The Art of Flight</strong> <i>by</i> <strong>Fredrik Sjöberg</strong> </li>
<li><strong>Quicksand</strong> <i>by</i> <strong>Malin Persson Giolito</strong> </li>
<li><strong>McGlue</strong> <i>by</i> <strong>Ottessa Moshfegh</strong> </li>
<li><strong>Weapons of Math Destruction</strong> <i>by</i> <strong>Cathy O'Neil</strong> </li>
<li><strong>The Solitary Twin</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>Why I Killed My Best Friend</strong> <i>by</i> <strong>Amanda Michalopoulou</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2018">
<button class="year-header" aria-expanded="false">
<h2>2018 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>Tómas Jónsson, Bestseller</strong> <i>by</i> <strong>Guðbergur Bergsson</strong> </li>
<li><strong>Agape̅ Agape</strong> <i>by</i> <strong>William Gaddis</strong> </li>
<li><strong>Ava</strong> <i>by</i> <strong>Carole Maso</strong> </li>
<li><strong>Eleanor Oliphant is Completely Fine</strong> <i>by</i> <strong>Gail Honeyman</strong> </li>
<li><strong>The Odessa File</strong> <i>by</i> <strong>Frederick Forsyth</strong> </li>
<li><strong>Convenience Store Woman</strong> <i>by</i> <strong>Sayaka Murata</strong> </li>
<li><strong>Transcription</strong> <i>by</i> <strong>Kate Atkinson</strong> </li>
<li><strong>The Spy and the Traitor</strong> <i>by</i> <strong>Ben MacIntyre</strong> </li>
<li><strong>Stoner</strong> <i>by</i> <strong>John Williams</strong> </li>
<li><strong>Absolute Pandemonium</strong> <i>by</i> <strong>Brian Blessed</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2017">
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<h2>2017 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>Not Thomas</strong> <i>by</i> <strong>Sara Gethin</strong> </li>
<li><strong>Kitchen</strong> <i>by</i> <strong>Banana Yoshimoto</strong> </li>
<li><strong>Blue Mondays</strong> <i>by</i> <strong>Arnon Grunberg</strong> </li>
<li><strong>Swing Time</strong> <i>by</i> <strong>Zadie Smith</strong> </li>
<li><strong>Soccermatics</strong> <i>by</i> <strong>David Sumpter</strong> </li>
<li><strong>The Story of the Lost Child</strong> <i>by</i> <strong>Elena Ferrante</strong> </li>
<li><strong>Enough About Love</strong> <i>by</i> <strong>Hervé Le Tellier</strong> </li>
<li><strong>Log of the S.S the Mrs Unguentine</strong> <i>by</i> <strong>Stanley Crawford</strong> </li>
<li><strong>The Fly Trap</strong> <i>by</i> <strong>Fredrik Sjöberg</strong> </li>
<li><strong>The Tobacconist</strong> <i>by</i> <strong>Robert Seeethaler</strong> </li>
<li><strong>Those Who Leave and Those Who Stay</strong> <i>by</i> <strong>Elena Ferrante</strong> </li>
<li><strong>A Horse Walks into a Bar</strong> <i>by</i> <strong>David Grossman</strong> </li>
<li><strong>The Story of a New Name</strong> <i>by</i> <strong>Elena Ferrante</strong> </li>
<li><strong>Phantom Pain</strong> <i>by</i> <strong>Arnon Grunberg</strong> </li>
<li><strong>Land's Edge: A Coastal Memoir</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>His Bloody Project</strong> <i>by</i> <strong>Graeme McRae Burnet</strong> </li>
<li><strong>The Underground Railroad</strong> <i>by</i> <strong>Colson Whitehead</strong> </li>
<li><strong>The Face on the Cutting-Room Floor</strong> <i>by</i> <strong>Cameron McCabe</strong> </li>
<li><strong>Bardo or not Bardo</strong> <i>by</i> <strong>Antoine Volodine</strong> </li>
<li><strong>La Superba</strong> <i>by</i> <strong>Ilja Leonard Pfeijffer</strong> </li>
<li><strong>The Handmaid's Tale</strong> <i>by</i> <strong>Margaret Atwood</strong> </li>
<li><strong>Hillbilly Elegy: A Memoir of a Family and Culture in Crisis</strong> <i>by</i> <strong>J. D. Vance</strong> </li>
<li><strong>The Tiger's Wife</strong> <i>by</i> <strong>Téa Obreht</strong> </li>
<li><strong>The Spy Who Came in From the Cold</strong> <i>by</i> <strong>John le Carré</strong> </li>
<li><strong>Camanchaca</strong> <i>by</i> <strong>Diego Zúñiga</strong> </li>
<li><strong>Of Darkness</strong> <i>by</i> <strong>Josefine Klougart</strong> </li>
<li><strong>A Manual for Cleaning Women</strong> <i>by</i> <strong>Lucia Berlin</strong> </li>
<li><strong>Tirza</strong> <i>by</i> <strong>Arnon Grunberg</strong> </li>
<li><strong>In the United States of Africa</strong> <i>by</i> <strong>Abdourahman A. Waberi</strong> </li>
<li><strong>The Abyss of Human Illusion</strong> <i>by</i> <strong>Gilbert Sorrentino</strong> </li>
<li><strong>The American Woman in the Chinese Hat</strong> <i>by</i> <strong>Carole Maso</strong> </li>
<li><strong>The Mezzanine</strong> <i>by</i> <strong>Nicholson Baker</strong> </li>
<li><strong>The Summer We Got Free</strong> <i>by</i> <strong>Mia McKenzie</strong> </li>
<li><strong>Sphinx</strong> <i>by</i> <strong>Anne Garréta</strong> </li>
<li><strong>Senselessness</strong> <i>by</i> <strong>Horacio Castellanos Moya</strong> </li>
<li><strong>Seasons of Migration to the North</strong> <i>by</i> <strong>Tayeb Salih</strong> </li>
<li><strong>Eileen</strong> <i>by</i> <strong>Ottessa Moshfegh</strong> </li>
<li><strong>Upstaged</strong> <i>by</i> <strong>Jacques Jouet</strong> </li>
<li><strong>My Brilliant Friend</strong> <i>by</i> <strong>Elena Ferrante</strong> </li>
<li><strong>Home</strong> <i>by</i> <strong>Toni Morrison</strong> </li>
<li><strong>Death in Spring</strong> <i>by</i> <strong>Mercè Rodoreda</strong> </li>
<li><strong>The Clouds</strong> <i>by</i> <strong>Juan José Saer</strong> </li>
<li><strong>Party Headquarters</strong> <i>by</i> <strong>Georgi Tenev</strong> </li>
<li><strong>Rupert: A Confession</strong> <i>by</i> <strong>Ilja Leonard Pfeijffer</strong> </li>
<li><strong>The Pets</strong> <i>by</i> <strong>Bragi Ólafsson</strong> </li>
<li><strong>The Brother</strong> <i>by</i> <strong>Rein Raud</strong> </li>
<li><strong>Please Look After Mother</strong> <i>by</i> <strong>Kyung-Sook Shin</strong> </li>
<li><strong>The Confessions of Noa Weber</strong> <i>by</i> <strong>Gail Hareven</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2016">
<button class="year-header" aria-expanded="false">
<h2>2016 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>The Festival of Insignificance</strong> <i>by</i> <strong>Milan Kundera</strong> </li>
<li><strong>White Teeth</strong> <i>by</i> <strong>Zadie Smith</strong> </li>
<li><strong>Outer Dark</strong> <i>by</i> <strong>Cormac McCarthy</strong> </li>
<li><strong>The Bluest Eye</strong> <i>by</i> <strong>Toni Morrison</strong> </li>
<li><strong>Against the Day</strong> <i>by</i> <strong>Thomas Pynchon</strong> </li>
<li><strong>Larva: Midsummer Night's Babel</strong> <i>by</i> <strong>Julián Ríos</strong> </li>
<li><strong>The Sellout</strong> <i>by</i> <strong>Paul Beatty</strong> </li>
<li><strong>Child of God</strong> <i>by</i> <strong>Cormac McCarthy</strong> </li>
<li><strong>Allah is not Obliged</strong> <i>by</i> <strong>Ahmadou Kourouma</strong> </li>
<li><strong>Cat on a Hot Tin Roof and other plays</strong> <i>by</i> <strong>Tennessee Williams</strong> </li>
<li><strong>Algorithms to Live By: The Computer Science of Human Decisions</strong> <i>by</i> <strong>Brian Christian and Tom Griffiths</strong> </li>
<li><strong>Topol</strong> <i>by</i> <strong>Topol</strong> </li>
<li><strong>A Question of Power</strong> <i>by</i> <strong>Bessie Head</strong> </li>
<li><strong>The Death and Life of Great American Cities</strong> <i>by</i> <strong>Jane Jacobs</strong> </li>
<li><strong>The Mothers</strong> <i>by</i> <strong>Brit Bennett</strong> </li>
<li><strong>The Price of Water in Finistère</strong> <i>by</i> <strong>Bodil Malmsten</strong> </li>
<li><strong>S.</strong> <i>by</i> <strong>J. J. Abrams and Doug Dorst</strong> </li>
<li><strong>Constraining Change: Georges Perec and the Oulipo</strong> <i>by</i> <strong>Alison James</strong> </li>
<li><strong>Going Down</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>Landscape Painted With Tea</strong> <i>by</i> <strong>Milorad Pavić </strong> </li>
<li><strong>A Social Guidebook to Sweden</strong> <i>by</i> <strong>Julien S. Bourrelle</strong> </li>
<li><strong>Rowing Without Oars</strong> <i>by</i> <strong>Ulla-Carin Lindquist</strong> </li>
<li><strong>The Satanic Verses</strong> <i>by</i> <strong>Salman Rushdie</strong> </li>
<li><strong>Reading Games: An Aesthetics of Play in Flann O'Brien, Samuel Beckett and Georges Perec</strong> <i>by</i> <strong>Kimberly Bohman-Kalaja</strong> </li>
<li><strong>The Last Novel</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>Eyrie</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>The Black Swan</strong> <i>by</i> <strong>Nassim Nicholas Taleb</strong> </li>
<li><strong>One of Us Is Sleeping</strong> <i>by</i> <strong>Josefine Klougart</strong> </li>
<li><strong>Under the Volcano</strong> <i>by</i> <strong>Malcolm Lowry</strong> </li>
<li><strong>Bone Ash Sky</strong> <i>by</i> <strong>Katerina Cosgrove</strong> </li>
<li><strong>The Art of Fiction</strong> <i>by</i> <strong>David Lodge</strong> </li>
<li><strong>Invisible Man</strong> <i>by</i> <strong>Ralph Ellison</strong> </li>
<li><strong>Dodge Rose</strong> <i>by</i> <strong>Jack Cox</strong> </li>
<li><strong>Review of Contemporary Fiction: Raymond Queneau/Carole Maso Issue (Vol XVII Fall 1997)</strong> <i>by</i> <strong>Various</strong> </li>
<li><strong>The Case of the Persevering Maltese: Collected Essays</strong> <i>by</i> <strong>Harry Mathews</strong> </li>
<li><strong>Vertical Motion</strong> <i>by</i> <strong>Can Xue</strong> </li>
<li><strong>Review of Contemporary Fiction: Georges Perec Issue (Vol XXIX Spring 2009)</strong> <i>by</i> <strong>Various</strong> </li>
<li><strong>Springer's Progress</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>The Vegetarian</strong> <i>by</i> <strong>Han Kang</strong> </li>
<li><strong>Lies, First Person</strong> <i>by</i> <strong>Gail Hareven</strong> </li>
<li><strong>Heat 14</strong> <i>by</i> <strong>Various</strong></li>
<li><strong>Pornografia</strong> <i>by</i> <strong>Witold Gombrowicz</strong> </li>
<li><strong>Introducing Don DeLillo</strong> <i>by</i> <strong>Frank Lentricchia (ed)</strong> </li>
<li><strong>Letters from The Antipodes</strong> <i>by</i> <strong>Michel Butor</strong> </li>
<li><strong>The Book of Happenstance</strong> <i>by</i> <strong>Ingrid Winterbach</strong> </li>
<li><strong>Pereckonings: Reading Georges Perec</strong> <i>by</i> <strong>Warren Motte (ed)</strong> </li>
<li><strong>Jamilia</strong> <i>by</i> <strong>Chingiz Aïtmatov</strong> </li>
<li><strong>Raymond Roussel and the Republic of Dreams</strong> <i>by</i> <strong>Mark Ford</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2015">
<button class="year-header" aria-expanded="false">
<h2>2015 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>Portrait of a Man</strong> <i>by</i> <strong>Georges Perec</strong>
<li><strong>Winter Journeys</strong> <i>by</i> <strong>The OULIPO</strong>
<li><strong>What If?</strong> <i>by</i> <strong>Randall Munroe</strong>
<li><strong>The Sickness</strong> <i>by</i> <strong>Alberto Barrera Tyszka</strong>
<li><strong>Critical Transitions in Nature and Society</strong> <i>by</i> <strong>Marten Scheffer</strong>
<li><strong>The Plot Against America</strong> <i>by</i> <strong>Philip Roth</strong>
<li><strong>The Country Where No One Ever Dies</strong> <i>by</i> <strong>Ornela Vorpsi</strong>
<li><strong>The Faster I Walk, The Smaller I Am</strong> <i>by</i> <strong>Kjersti Skomsvold</strong>
<li><strong>The Orchard Keeper</strong> <i>by</i> <strong>Cormac McCarthy</strong>
<li><strong>That Eye, The Sky</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>Scission</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>Genius at Play: The Curious Mind of John Horton Conway</strong> <i>by</i> <strong>Siobhan Roberts</strong> </li>
<li><strong>Minimum of Two</strong> <i>by</i> <strong>Tim Winton</strong> </li>
<li><strong>Epitaph for a Dead Beat</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>Kundera, or, The Memory of Desire</strong> <i>by</i> <strong>Eva Le Grand</strong> </li>
<li><strong>English Passengers</strong> <i>by</i> <strong>Matthew Kneale</strong> </li>
<li><strong>Inherent Vice</strong> <i>by</i> <strong>Thomas Pynchon</strong> </li>
<li><strong>Ella Minnow Pea</strong> <i>by</i> <strong>Mark Dunn</strong> </li>
<li><strong>the art and craft of approaching your head of department to submit a request for a raise</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>Eunoia</strong> <i>by</i> <strong>Christian Bök</strong> </li>
<li><strong>Cantatrix Sopranica L.: Scientific Papers</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>La Boutique Obscure</strong> <i>by</i> <strong>Georges Perec</strong> </li>
<li><strong>Sergio Leone: Something to do with Death</strong> <i>by</i> <strong>Christopher Frayling</strong> </li>
<li><strong>Open: An Autobiography</strong> <i>by</i> <strong>Andre Agassi</strong> </li>
<li><strong>The Third Policeman</strong> <i>by</i> <strong>Flann O'Brien</strong> </li>
<li><strong>Cakes, Custard, and Category Theory</strong> <i>by</i> <strong>Eugenia Cheng</strong> </li>
<li><strong>The Almost Nearly Perfect People</strong> <i>by</i> <strong>Michael Booth</strong> </li> <li><strong>Vanishing Point</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>The Big Sleep</strong> <i>by</i> <strong>Raymond Chandler</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2014">
<button class="year-header" aria-expanded="false">
<h2>2014 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>Dark Chatter</strong> <i>by</i> <strong>Andrew Branch</strong> </li>
<li><strong>The Ballad of Dingus Magee</strong> <i>by</i> <strong>David Markson</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2013">
<button class="year-header" aria-expanded="false">
<h2>2013 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>The International Bank of Bob: Connecting Our Worlds One $25 Kiva Loan at a Time</strong> <i>by</i> <strong>Bob Harris</strong> </li>
<li><strong>Dad is Fat</strong> <i>by</i> <strong>Jim Gaffigan</strong> </li>
<li><strong>Teach Your Children Well: Parenting for Authentic Success</strong> <i>by</i> <strong>Madeline Levine</strong> </li>
<li><strong>Spin Glasses and Complexity</strong> <i>by</i> <strong>Daniel L. Stein and Charles M. Newman</strong> </li>
<li><strong>Epitaph for a Tramp</strong> <i>by</i> <strong>David Markson</strong> </li>
<li><strong>Shakespeare</strong> <i>by</i> <strong>Bill Bryson</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2012">
<button class="year-header" aria-expanded="false">
<h2>2012 <span class="year-count"></span></h2>
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<ol reversed class="book-list">
<li><strong>Grouped</strong> <i>by</i> <strong>Paul Adams</strong> </li>
<li><strong>Turtles, Termites and Traffic Jams</strong> <i>by</i> <strong>Mitchell Resnick</strong> </li>
<li><strong>Linked</strong> <i>by</i> <strong>Albert-laszlo Barabasi</strong> </li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2011">
<button class="year-header" aria-expanded="false">
<h2>2011 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>Phase Transitions</strong> <i>by</i> <strong>Ricard Solé</s
trong></li>
<li><strong>Diversity and Complexity</strong> <i>by</i> <strong>Scott E. Page</strong></li>
<li><strong>Ant Encounters: Interaction Networks and Colony Behavior</strong> <i>by</i> <strong>Deborah M. Gordon</strong></li>
<li><strong>Tree of Codes</strong> <i>by</i> <strong>Jonathan Safran Foer</strong></li>
<li><strong>Thoughts of Sorts</strong> <i>by</i> <strong>Georges Perec</strong></li>
<li><strong>An Attempt to Exhaust a Place in Paris</strong> <i>by</i> <strong>Georges Perec</strong></li>
<li><strong>My Life in CIA</strong> <i>by</i> <strong>Harry Matthews</strong> (again)</li>
<li><strong>Piled Higher and Deeper (Vols 1-4)</strong> <i>by</i> <strong>Jorge Cham</strong> </li>
<li><strong>God Bless You, Dr. Kevorkian</strong> <i>by</i> <strong>Kurt Vonnegut</strong> </li>
<li><strong>Where Do Good Ideas Come From</strong> <i>by</i> <strong>Stephen Johnson</strong> </li>
<li><strong>Super Freakonomics: Global Cooling, Patriotic Prostitutes, and Why Suicide Bombers Should Buy Life Insurance</strong> <i>by</i> <strong>Steven D. Levitt and Stephen J. Dubner</strong> </li>
<li><strong>The Smart Swarm: How Understanding Flocks, Schools, and Colonies Can Make Us Better at Communicating, Decision Making, and Getting Things Done</strong> <i>by</i> <strong>Peter Miller</strong> </li>
<li><strong>Connected: The Surprising Power of Our Social Networks and How They Shape Our Lives -- How Your Friends' Friends' Friends Affect Everything You Feel, Think, and Do</strong> <i>by</i> <strong>Nicholas A. Christakis and James H. Fowler</strong> </li>
<li><strong>True Grit</strong> <i>by</i> <strong>Charles Portis</strong> </li>
<li><strong>Point Omega</strong> <i>by</i> <strong>Don DeLillo</strong> </li>
<li><strong>Privacy: A Manifesto</strong> <i>by</i> <strong>Wolfgang Sofsky</strong> </li>
<li><strong>Drive: The Surprising Truth About What Motivates Us</strong> <i>by</i> <strong>Daniel H. Pink</strong></li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2010">
<button class="year-header" aria-expanded="false">
<h2>2010 <span class="year-count"></span></h2>
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<div class="year-content">
<ol reversed class="book-list">
<li><strong>Never Let Me Go</strong> <i>by</i> <strong>Kazuo Ishiguro</strong></li>
<li><strong>Blood Meridian</strong> <i>by</i> <strong>Cormac McCarthy</strong></li>
<li><strong>The Killer Inside Me</strong> <i>by</i> <strong>Jim Thompson</strong></li>
<li><strong>Ride the Black Cockatoo</strong> <i>by</i> <strong>John Danalis</strong> </li>
<li><strong>The Edible Woman</strong> <i>by</i> <strong>Margaret Atwood</strong></li>
<li><strong>Norwegian Wood</strong> <i>by</i> <strong>Haruki Murakami</strong></li>
<li><strong>Nights at the Circus</strong> <i>by</i> <strong>Angela Carter</strong></li>
<li><strong>Wanting</strong> <i>by</i> <strong>Richard Flanagan</strong></li>
<li><strong>The Heart is a Lonely Hunter</strong> <i>by</i> <strong>Carson McCullers</strong></li>
<li><strong>An Open Swimmer</strong> <i>by</i> <strong>Tim Winton</strong></li>
<li><strong>Breath</strong> <i>by</i> <strong>Tim Winton</strong></li>
<li><strong>In the Winter Dark</strong> <i>by</i> <strong>Tim Winton</strong></li>
<li><strong>Shallows</strong> <i>by</i> <strong>Tim Winton</strong></li>
<li><strong>Slow Learner</strong> <i>by</i> <strong>Thomas Pynchon</strong></li>
<li><strong>Logicomix</strong> <i>by</i> <strong>Apostolos Doxiadis, Christos H. Papadimitriou, Alecos Papadatos, Annie Di Donna</li>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2009">
<button class="year-header" aria-expanded="false">
<h2>2009 <span class="year-count"></span></h2>
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</button>
<div class="year-content">
<ol reversed class="book-list">
<li><strong>The Dice Man</strong> <i>by</i> <strong>Luke Rhinehart</strong></li>
<li><strong>The First Man</strong> <i>by</i> <strong>Albert Camus</strong></li>
<li><strong>A Living Soul</strong> <i>by</i> <strong>P C Jersild</strong></li>
<li><strong>Wij</strong> <i>by</i> <strong>Elvis Peeters</strong></li>
<li><strong>The curious incident of the dog in the night-time.</strong> <i>by</i>
<strong>Mark Haddon</strong></li>
<li><strong>België voor beginnelingen</strong>
<i>by</i>
<strong>Bert Kruismans and Peter Perceval</strong>
<li><strong>Fooled by Randomness</strong> <i>by</i> <strong>Nassim Nicholas Taleb</strong>
</ol>
</div>
</section>
<section class="year-section collapsed" data-year="2008">
<button class="year-header" aria-expanded="false">
<h2>2008 <span class="year-count"></span></h2>
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</button>
<div class="year-content">
<ol reversed class="book-list">
<li><strong>At First Sight</strong> <i>by</i> <strong>Nicholas Sparks</strong> </li>
<li><strong>Rational Ritual: Culture, Coordination, and Common Knowledge</strong> <i>by</i> <strong>Michael Suk-Young Chwe</strong> </li>
<li><strong>The Book of Laughter and Forgetting</strong> <i>by</i> <strong>Milan Kundera</strong> (<i>third time</i>) </li>
<li><strong>No Country for Old Men</strong> <i>by</i> <strong>Cormac McCarthy</strong> </li>
<li><strong>A Short History of Tractors in Ukranian</strong> <i>by</i> <strong>Marina Lewycka</strong> </li>
<li><strong>The Road</strong> <i>by</i> <strong>Cormac McCarthy</strong> </li>